Blind Cat Dance
By Alexander Jablokov
(excerpt)
So now I live among weeds: spiky leaved plants, muck-loving carp, fast-growing trees, pigeons. I hunt among the herds of stunted deer that browse the grass between fallen branches of locusts and silver maples. Sometimes, a pack of canids makes its quarrelsome way through the area. A cross between domestic dogs and coyotes, they are unromantic, unphotogenic, and unclean. No Trainer has ever worked to get them to set their carrion-smelling paws on a city street. No passerby has ever been struck at dawn by their wild beauty. When I hear them yelping at night I stuff my head into my pillow.
A crow calls outside, so it really is time to get up. All of the animals can see me, but only that crow seems to care. It has a kind of reptilian affection for me, based on the small prey I scare up on my hunts, and I sometimes find it staring fixedly at me, head sidewise, considering me with an expressionless yellow-rimmed eye. I work at not attributing human emotions to it, but always fell. Maybe I wasn`t meant for my line of work after all.
At least I haven`t given it a name. That`s the most obvious way pretend animals are more ours than they actually are. I figure it respects me, but is puzzled by me. Our lives are pretty similar just now, so we get along. The bird can predict in general what I am going to do next, but not specifically, and that is the basis of a decent relationship.
It looks like a large cat (Alexandre Jablokov, Blind Cat Dance). Image by © Megan Jorgensen (Elena) |
There is no natural world. If the term ever had meaning, it hasn`t for years. Jeremiads about how the natural world will unite and turn against humans are a childish fantasy. Nature has no motivations, no desires, no ultimate goal.
Except what we choose to give it. I finally roll out of my bag, wash my face in the basin I always fill before going to sleep, and go outside. It`s overcast, and cold. My breath puffs. I like feeling the weather against me. Having little defense against it, I have to react to it the same way everything else alive has to. I listen to the air, sniff it to see how scents are carrying today, listen to any sounds it brings. I’m here and visible. I can be evaded, I can be resisted, I can be killed, I pay full attention.
Outside, something on the ground catches my eye. I kneel to get a better look. I reach out my hand, but pull it back before my fingertips can disturb anything.
It’s a partial print: a big heel pad, and two toe marks. No claw indentations, and it looks pretty good-sized. Cat. It looks like a large cat.
I bend over the imprint and push my face almost to the ground, looking and smelling, using every channel of information I can. I smell cat too.
Could be a lynx. I’ve seen some other, ambiguous traces. A lynx would be okay.
I don’t think it’s a lynx. A few days ago I found a piece of scat. Like the print, it was big, bigger than your visual coydog turd. And it had a bit of hair in it, as from self-grooming with a rough tongue. I managed to persuade myself that it was just the right shade of reddish brown.
I stand up, ready for my day. If there really is a cougar out here somewhere, I won’t see it. In an even contest, I don’t have a chance. But I’ll keep looking.
Anyone could find me here, if they wanted. Berenica has to know where I am. She could come here and observe me in my natural habitat. If she wanted.
It’s ridiculous. A fera housecat could make it here in this shrunken weed patch, for as long as it evaded the coydogs, but chances were lower for a lynx, and a cougar was impossible. A cougar needed more than ten square miles of territory to support itself, probably significantly more in this impoverished ecology, and there was nothing like that here, not yet. A single kill and the deer would flee elsewhere. These are not trained to forget, circle around, and return. Again, not yet.
So there’s work to be done. The various patches of woods can be knitted together in the minds of the beasts that are here. That’s what we do. We take the far-flung archipelagos of environment and reassemble them into continents in the minds of the animals. We give them a way to live in the world we have made.
So I live, work, and hope.
(Excerpt, see the full text in The Year’s Best Science Fiction edited by Gardner Dozois, first edition July 2011).
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