Dead Man’s Run

Dead Man’s Run

By Robert Reed

Excerpt. Read the full text in The Year’s Best Science Fiction, twenty-eighth annual collection, edited by Gardner Dozois, first edition July 2011

The earth wall is close and tall, and Harris runs on top. The kid has never looked this serious, this mature. To somebody, he says, “Yeah”. Then he slows and makes a sharp turn, jumping onto a little deer trail that puts him behind Lucas, maybe twenty meters back.

That feels like a victory, owning the lead.

But Lucas can’t turn back now. Not without risking a hack from that piece of metal. Or worse than a hack. He throttles up again, and Harris matches his pace, and he cuts across that lost loop in the trail, raspberry snagging his tights. Then he slows, letting the kid buy maybe half of the distance between them while he makes ready for the next turn.

Rusted iron legs hold the vanished tracks high above the stream. The trail lurches to the left and drops under the trestle, and then it lifts again, flattening and turning right before reaching a long pipe-and-wood-bridge. Lucas runs the curve tight, saying a half-stride.

Cybernetics and robotics. Dead Man’s Run. Illustration by © Megan Jorgensen (Elena)

Maybe ten meters separate them. Maybe eight. He listens to the chasing feet, measuring their pounding. Instinct knows what happens next: As soon as Harris is free of the bridge, he surges. Youth and fear and all that good rich adrenaline are going to demand that Harris ends this race here, in the next moments. That’s why Lucas surges first. He leaps off the end of the bridge and gains a little, but the pounding behind him ends with some fast clean footballs that halve the distance and then halve it again. Harris is tucked behind him. A small last surge will put him in range, leaving the boy where he can clip Lucas with his weapon.

But Lucas shortens his stride, just to help his legs move quicker, and Harris is paying a cost for matching him. He gives a hard grunt before accelerating. Except he has somehow fallen back another couple strides, and his exasperation comes out from his chest. He curses – not a word so much as an animal sound that says everything. Those baby legs start to fill with cement. Frustrated and baffled but still too stupid and young to know what has happened, Harris slows down just a little more. His intention is to rest on the fly, gathering his reserves for another surge. This will be easy, in the end. He can’t believe anything else. Lucas is nearly twice his age, and there’s only one ending in his head, stark and bloody and final. Harris lets the old man gain a full fifteen-meter lead, and just to make sure that Lucas knows, he calls out to him. He says: “Give up!” He breathes and says, “You can’t win”.

Lucas has won. He knows it, and the only problem left is mapping out the rest of this chase.