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Sunday, June 10, 2018

Mont Esja

Mont Esja


Dominating the Reykjavík city skyline and providing a stunning backdrop to the capital area is the majestic Mount Esja. Its proximity to the city has given it a special place in the hearts of Reykjavík locals, most of whom would have no way of figuring out which way north is without a view of the mountain. It’s even a popular motif in poems about Reykjavík, many of whom romanticise the view of the mountain across the water from the city centre. Esjan is a popular destination for hikers – no wonder because the view from the top of this 914-metre-high mountain is breathtaking.

There are different routes up and around the mountain and you can climb to a few different peaks, varying in terms of difficulty. The most popular route is to climb up (or towards) the peak Pvertfellshorn, at an altitude of 780 m. The path is divided into sections, with signs along the way, and the bus from Reykjavík stops by the parking lot. Each sign gives an indication of the difficulty of the path ahead with a grading system ranging from 1 boot (easy) to 3 boots (challenging).

Approximately 200 from the top, there’s a point marked with a big rock called « Steinn ». Most inexperienced climbers choose to stop here and take in the view before going down again, as the bath becomes increasingly difficult from there on, rockier and steeper. If you do get to the top, don’t forget to sign the guestbook!

Iceland, mounts and canyons. Photo by Olga

Mt. Esja is located in Kjalarnes, past the town of Mosfellsbaer east or Reykjavík. It is accessible by the number 15 bus from Hlemmur bus station. Get off at Haholt in Mosfellesbaer, then take the number 57 to the foot of Esja at Esjuskali.

Please remember to take care when climbing. Even though Esjan is a popular hiking spot, the notorisously fickle Icelandic weather can by tricky at higher altitudes and there can even be snow on the upper slopes. It can also be steep in places so make sure your shoes are up for the task. Follow your chosen route closely and check what the weather conditions are like before attempting a climb. Always let someone know where you’re going and when you intend to be back.

Investment Pool

Investment Pool


Not everybody was speculating in the market in 1929, as was commonly assumed. Borrowing to buy stocks (buying on margin) did increase from only one billion dollars in 1921 to almost 9 billion in 1929. Nevertheless, only about a million persons owned stocks on margin in 1929. Still, the speculative spirit was at least as widespread as in the previous crazes and was certainly unrivaled in its intensity. More important, stock-market speculation was central to the culture. John Brooks in Once in Golconda (Golconda – now in ruins – was a city in India. According to legend, everyone who passed through it, became rich). recounted the remarks of a British correspondent newly arrived in New York: “You could talk about Prohibition, or Hemingway, or air conditioning, or music, or horses, but in the end you had to talk about the stock market, and that was when the conversation became serious.

Unfortunately, there were hundreds of smiling operators only too glad to help the public construct castles in the air. Manipulation on the stock exchange set new records for unscrupulousness. No better example can be found that the operation of investment pools. Once such undertaking raised the price of RCA stock 61 points in 4 days.

Let us explain how the pools could manipulate the price of a stock:

An investment pool required close cooperation on one hand and complete disdain for the public on the other. Generally such operation began when a number of traders banded together to manipulate a particular stock. They appointed a pool manager (who justifiable was considered something of an artist) and promised not to doublecross each other through private operations.

The pool manager accumulated a large block of stock through inconspicuous buying over a period of weeks. If possible, he obtained an option to buy a substantial block of stock at the current market price within a stated period of, say, three or six months. Next, he tried to enlist the stock’s specialist on the exchange floor as an ally.

Pool members were in the swim with the specialist on their side. A stock-exchange specialist functions as a broker’s broker. If a stock was trading at $50 a share and you gave your broker an order to buy at $45, the broker typically left that order with the specialist. If and when the stock fell to $45, the specialist then executed the order. All such orders to buy below the market price or sell above it were kept in the specialist’s supposedly private book. Now you see why the specialist could be so valuable to the pool manager. The book gave information about the extent of existing orders to buy and sell at prices below and above the current market. It was always helpful to know as many of the cards of the public players as possible. Now the real fun was ready to begin.

An Eagle, a symbol of power. Photo by Elena

Generally, at this point the pool manager had members of the pool trade between themselves. For example, Haskell sells 200 shares to Sidney at 40, at Sidney sells them back at 40 ½. The process is repeated with 400 shares at prices of 4 ¼ and 4 ½. Next comes the sale of 1,000-share block at 4 5/8, followed by another at 4 ¾. Those sales were recorded on ticker tapes across the country and the illusion of activity was conveyed to the thousands of tape watchers who crowded into the brokerage offices of the country. Such activity, generated by so-called wash sales, created the impression that something big was afoot.

Now, tipsheet writers and market commentators under the control of the pool manager would tell of exciting developments in the offing. The pool manager also tried to ensure that the flow of news from the company`s management was increasingly favorable – assuming the company management was involved in the operation. If all went well, and in the speculative atmosphere of the 1928-29 period it could hardly miss, the combination of tape activity and managed news would bring the public in.

Once the public came in the free-for-all started and it was time discreetly to “pull the plug”. Since the public was doing the buying, the pool did the selling. The pool manager began feeding stock into the market, first slowly and then in larger and larger blocks before the public could collect its senses. At the end of the roller-coaster ride the pool members had netted large profits and the public was left holding the suddenly deflated stock.

But people didn`t have to band together to defraud the public. Many individuals, particularly corporate officers and directors, did quite well on their own. Take Albert Wiggin, the head of Chase, the nation`s second largest bank at the time. In July 1929 Mr. Wiggin became apprehensive about the dizzy heights to which stocks had climbed and no longer felt comfortable speculating on the bull side of the market. (He is rumored to have made millions in a pool boosting the price of his own bank).

Believing that the prospects for his own bank`s stock were particularly dim (perhaps because of his previous speculation), he sold short over 42, 000 shares of Chase stock. Selling short is a way to make money is stock prices fall. It involves selling stock you do not presently own in the expectation of buying it back later at a lower price. It`s like hoping to buy low and sell high, but in reverse order.

Wiggin`s timing was perfect. Immediately after the short sale the price of Chase stock began to fall, and when the crash came in the fall the stock dropped precipitously. When the account was closed in November, Mr. Wiggin had netted a multimillion-dollar profit the operation. Conflicts of interest apparently did not trouble Mr. Wiggin. Usually corporate officers are encouraged to own the stock of their company so that they will have an added incentive to put their best efforts. Wiggin, on the other hand, had provided himself with an incentive (and a very large on at that) to encourage the deterioration of the shares of the financial institution he headed.

There`s a sequel to this story. When Wiggin retired in 1932, the Chase Executive Committee thanked him warmly for his many services to the bank and unanimously voted him a life pension of $100,000 per year.

The extent of the rises of the major industrial companies from March 3, 1928 to September 3, 1929:

Security, opening prices, high prices, percentage gain in 18 months:

American Telephone and Telegraph Company:

Opening price, March 3, 1928 – 179, 5
High price, September 3, 1929 – 335, 5
Percentage gain in 18 months – 87, 0

Bethlehem Steel:

Opening price, March 3, 1928 – 56, 5
High price, September 3, 1929 – 150, 5
Percentage gain in 18 months – 146, 8

General Electric:

Opening price, March 3, 1928 – 128, 7
High price, September 3, 1929 – 396, 4
Percentage gain in 18 months – 207, 6

Montgomery Ward:

Opening price, March 3, 1928 – 132, 8
High price, September 3, 1929 – 466, 5
Percentage gain in 18 months – 251, 4

National Cash Register:

Opening price, March 3, 1928 – 50, 8
High price, September 3, 1929 – 127, 5
Percentage gain in 18 months – 151, 2

Radio Corporation of America:

Opening price, March 3, 1928 – 94, 5
High price, September 3, 1929 – 505
Percentage gain in 18 months – 434, 5

Source :


  • Burton G. Malkiel. A Random Walk Down Wall Street, including a life-cycle guide to personal investing. First edition, 1973, by W.W. Norton and company, Inc.

The Movie Mom's Favorite Flicks

The Movie Mom's Favorite Flicks


No one should grow up without seeing the cinematic treasures of childhoods past. Movie-expert explains why these classics will be hits with children.

Rabbit Ear series (From 1980): Narrated by some of the finest contemporary actors, this collection of classic children's stories includes The Elephant's Child, read by Jack Nicholson. The Velveteen Rabbit, read by Meryl Streep, and Anansi the Spider, read by Denzel Washington.

Shari Lewis Videos : 1984-1991. The best thing about these delightful videos by longtime children's entertainer Shari Lewis is that they involve the children, with interesting activities that get little couch potatoes off the couch.

Tom Thomb (1967) : The tale of a boy no bigger than a thumb is brought to life with former gymnast  Russ Tamblyn in the title rôle. He is as irresistibly charming as his very own song as one of the musical numbers suggest. Villains Terry Thomas and Peter Seller try to get the diminutive hero to steal for them, but a good fairy thwarts them.

Disney Animation Classics (1937 to 1961): Older movies like Snow White (1937), Pinocchio (1940), Cinderella (1950), Alice in Wonderland (1951), Peter Pan (1953), Sleeping Beauty (1958), and 101 Dalmatians (1961) hold up exceptionally well, with gorgeous pre-computer animation and excellent music. Some children may be frightened by the villains, but familiarity with the story can help.

For Older Children

Captains Courageous (1937) : A wealthy and spoiled young boy traveling on a luxurious ocean liner is washed overboard and rescued by a sailor on a fishing boat. Forced to stay on the boat until it returns to shore, he learns the importance of earning respect from others, and from himself. There is a sad death, but the story ends with the boy becoming close to his father for the first time. Spencer Tracy stars in an Oscar- winning performance, with Lionel Barrymore, Mickey Rooney and FreddieBarthlomew.

Chariots of fire (1981): This is the true story of two athlets who raced in the 1934 Olympics, one a privileged Jewish student at Cambridge, the other a missionary from Scotland. Wonderfully evocative of the time and place, with superb performances, the movie shows us the source of the runners determination – for one, a need to prove himself, for the other, a connection to God. The movie won the Oscar for best picture.

A Young Actor. Photo by Elena.

The Day the Earth Stood Stiill (1951): A mysterious starship arrives in Washington in this Cold War classic. A man and a robot are inside, bringing a message that humans must stop making nuclear weapons. They are befriended by a young boy whose father was killed in WWII, and be a scientist. But not everyone wants peace, and it is up to the heroes to save the world from itself.

Fantastic Voyage (1966): A team of scientist is shrunk in microscopic size in order to perform emergency surgery in this exciting adventure. They must battle everything from white blood cells (attacking the, as though they were an infection) to an onboard traitor, to time itself, as they race to complete the operation and leave the body before the effects of the shringkin ray wear off and they return to normal size. Exciting and fun, this movie also teaches about the inner working of the body.

Lilies of the Field (1966): A black itinerant handy-man (Sidney Poitier) driving through the Arizona desert stops at a small farm to ask for some water. The farm is the home of a small group of nuns recent refugees from Eastern Europe. When this movie was made in the midst of the early 1960s civil right battles for integration and tolerance, a black man in the leading rôle made it seem that the movie was about race. Many years later, we see that race is just one of many differences the characters must understand in order to work together.

The Magnificent Seven (1963): Seven gunfighters join forces to protect a small Mexican farm community from bandits in the classic western (based on the Japanese movie The Seven Samurai). Yul Brynner and Steve McQueen lead the group. This is a thrilling American epic, with an unforgettable score.

The Miracle Worker (1962): The true story of Annie Sullivan, who found a way to reach her pupil, Helen Keller, a deaf and blind girl. Until Sallivan (Anne Bancroft) arrives, Helen (Patty Duke) is allowed to run completely wild. Sullivan's fierce determination to find a way to communicatte with Helen is looked upon by the family with reactions ranging from tolerant to scornful. Duke and Bancroft deservedly won Oscars for their roles. The moment when Helen realizes that language means something is one of the most indelible in movie history.

The Music Man (1962): A traveling salesman (Roebert Preston, repeating his Broadway rôle) comes to a small town in Iowa, planning to sell them a dream of a boys's band and skip town with the money. The skeptical town librarian (Shirley Jones) is the only one who isn't dazzled. As they fall in love, to some of the most joyously gorgeous music ever written, she learns about the importance of dreams from him, and he learns about the importance of responsibility from her.

A Night at the Opera (1935): Harpo, Chico, and Groucho Marx bring their sublime anarchy to perhaps its most appropriate venue – the opera. Groucho is a fast-talking fortune-hunter, and as usual chasing dim dowager Margaret Dumont. When she agrees to bring two opera stars to America (sweet Kitty Carlisle and cruel Walter Woolf King), Harpo, Chico, and romantic lead Allan Jones stow away. This movie contains many classic routines. The slapstick is zany and the wordplay riotous.

Sounder (1972): A rare movie about a loving and intact black family, this beautiful film about the coming age of a young man in the South of the 1930s is a quiet classic.

To  Kill a Mockingbird (1961):  A story of prejudice and injustice as seen through the eyes of a little girl, the daughter of a lawyer (Gregory Peck) who defends a black man against a black man against a trumped-up charge of assault in 1930s Georgia. The sense of time and place – not just the time in history, but the time in the lives of the little girl and her brother – is extraordinary. One of the best movies about childhood ever made.

Saturday, June 9, 2018

Ten Classical

Ten Classical Selections No One Should Miss


If you a ready to start a disk library, Ted Libbey, of National Public Radio's classical music broadcast. “Performance Today”, suggests these recordings for the beginning collectors:

Bach: B-Minor Mass. Monteverdi Choir, English Baroque Soloists – John Eliot Gardiner, Deutsche Grammophon Archiv. This is the best of Bach, the best of the baroque era, and one of the greatest works in all of music. Gardiner's magnificent period-instrument account is colorful and light on its feet, yet it conveys the lofty grandeur of Bach's musical conception. 

Mozart: Piano concertos Nos 23 et 24. Clifford Curzon, piano; London Symphony Orchestra, Istvan Kertesz, London Weekend classics. Swiss conductor Charles Dutoit once said of Mozart's operas and concertos that they are the summit of creation. Here, two musicians with remarkable insight into Mozart team up to scale the heights.

Haydn: Symphonies #92 (Surprise) and 104 (London). Royal Concertgebouw Orchestra., Sir Colin Davis, Philipps Insignia. Two of Haydn most brilliant symphonies – full of wit and wisdom, and, yes, surprises – from the set of 12 he wrote as a capstone to his career as an orchestral innovator. They receive sparkling performances from Davis and the Dutch orchestra. 

Beethoven: Symphony #6 (Pastorale). Colombia Symphony Orchestra, Bruno Walter, Sony Classical. A recollection of Beethoven's happy thoughts on visiting the country, this is one of the most profound and appealing works in the symphonic literature. Walter's wonderful, youthfully fresh, and exuberant performance has the glow of deep spiritual maturity.

Schubert: Trout Quintet; Mozart: Clarinet Quintet. Rudolph Serkin, piano; Harold Wright, clarinet; with string players from the Marlboro Festival, Sony Classical. Mozart's radiant quintet is full of gentleness and pathos.  Schubert wrote his Trout on a summer vacation, and its sunny informality makes it the perfect counterpart. In these loving performances, the recording offers a wonderful introduction to the realm of chamber music.

Chopin: Ballades and Scherzos. Arthur Rubinstein, RCA Red Seal. These are the most substantial single-movement pieces Chopin wrote. They are notable for their wealth of content and formal command. If there is one sure bet in the repertory, it's Rubenstein, whose fiery readings combine drama and poetry with mesmeric effect.

Musicians, photo by Elena

Bizet: Carmen: Baltza, Carreras, Van Dam, Picciarelli, Chorus of the Paris Opera, Berlin Philarmonic/Herbert von Karojan, Deutsche Gramophon. If you're going to start with the opera, make it Carmen, which is one of opera's greatest achievements. Completed by Bizet when he was only 36, it's full of memorable melodies, fascinating situations, and gripping drama. Karajan and his colleagues give a polished account that revels in the beauty and color of the score.

Tchaikovsky: Piano Concerto #1, Rachmaninof: Piano Concerto #2: Van Cliburn, piano; RCA Symphony Orchestra/Kirill Kondrashin, chicago Symphony Orchestra/Fritz Reiner, RCA Read Seal. Thrills abound in these evergreen performances of two spectacular Romantic piano concertos. Riding these warhorses for all they are worth, the young Van Cliburn shows why he is one of the greatest virtuosos this country has ever produced. Since they were first issued many years ago, these accounts have never been out of print.

Debussy: La Mer; Saint-Saens: Organ Symphony. Boston Symphony Orchestra/Charles Munch. RCA Victor “Living Stereo”. Debussy's majestic portrait of the sea, the greates work of musical Impressionism, is paired with Saint-Saens's block-buster symphony. This is French music at its best, passionately performed by Munch and the greatest “French” orchestra ever assembled.

Gershwin: Rhapsody in Blue, An American in Paris; Bernstein: Candide Overture, Symphonic Dances from West Side Story. Leonard Bernstein, pianist and conductor; Columbia Symphony Orchestra and New York Philharmonic, Sony Classical. The classic of 20th-century American music. Bernestein lead a sultry, ideally jazzy performance of Gershwin's “Rhapsody”, and gives a bracing account of An American in Paris. No one compares with him as an interprter of his own music.

What Jazzes Wynton Marsalis


Jazz, with its mix of bracing intellectuality and moving lyricism, has long been known as America's classical music. Few have done more to foster that reputation than trumpeter Wynton Marsalis, who is renowned both for his classical and his jazz playing. As the artistic director of Jazz at the Lincoln Center, Marsalis has been at the forefront of creating a jazz “canon”, music that is undeniably classic, if not indeed classical. Here, the master trumpeter picks his 10 favorite jazz albums by the great who inspired him.

Louis Armstrong: The Hot Fives (any recording)
Louis Armstrong: The Hot Sevens (any recording)
Count Basie: The Original American Decca Recordings
Ornette Coleman: The Shape of Jazz to Come
John Coltrane: Crescent
Miles Davis: Kind of Blue
Duke Ellington: The Far East Suite
Thelonious Monk: It's Mon's Time
Jelly Roll Morton: The Pearls
Charlie Parker: The Complete Dial Recordings.

Rosedale - Part I

Rosedale - Part I


Rosedale is a neighbourhood in Toronto, Ontario. This neighbourhood was founded as the estate of William Botsford Jarvis, and so named by his wife, for the wild roses that grew there in abundance.

Rosedale is located north of Downtown Toronto and is one of its oldest suburbs. It is also one of the wealthiest and most highly priced neighbourhoods in Canada. Rosedale has been ranked the best neighbourhood in Toronto to live in by Toronto Life. 

It is known as the area where the city's 'old money' lives, and is home to some of Canada's richest and most famous citizens including Gerry Schwartz, founder of Onex Corporation, and Ken Thomson of Thomson Corporation, the latter of whom was the richest man in Canada at the time of his death in 2006.

Rosedale's boundaries consist of the CPR railway tracks to the north, Yonge Street to the west, Aylmer Avenue and Rosedale Valley Road to the south, and Bayview Avenue to the east. The neighbourhood is within the City of Toronto's Rosedale-Moore Park neighbourhood. The neighbourhood is divided into a north and south portion by the Park Drive Ravine.

All the pictures of Rosedale have been taken by Elena.

Rosedale Downtown.

Crescent Road

Cluny Drive.
A big house in Rosedale.
Roxborough street West.
David A. Balfour Park.
Rural House in Rosedale.
Tulips in Chorley Park.
A wooden bridge over the Don River.
A bus in Rosedale.
A two-story house on the Crescent Road.
A gardian of the Thornwood Road.
Crescent and Cluny Roads.

A peaceful street in the neighborhood.
Sophisticated light blue flowers with purple middle.
Mount Pleasant Road.
Residential houses in Rosedale.