The Shobies’ Story

The Shobies’ Story

Ursula K. Le Guin

They met at the Ve Port more than a month before their first flight together, and there, calling themselves after their ship as most crews did, became the Shobies. Their first consensual decision was to spend their isyeye in the coastal village of Liden, on Hain, where the negative ions could do their thing.

Liden was a fishing port with an eighty-thousand-year history and a population of four hundred. Its fisherfolk farmed the rich shoal waters of their bay, shipped the catch inland to the cities, and managed the Liden resort for vacationers and tourists and new space crews on isyeye (the word is Hainish and means “making a beginning together” or “beginning to be together”, or used technically “the period of time and area of space in which a group forms if it is going to form”. A honeymoon is an isyeye or two). The fisherwomen and fishermen of Liden were as weathered ad driftwood and about as talkative. Six-year-old Asten, who misunderstood slightly, asked one of them if they were all eighty thousand years old. “Nope”, she said.

Shobies' Story. Photo by Elena

Like most crews, the Shobies used Hainish as their common language. So the name of the one Hainish crew member, Sweet Today, carried its meaning as words as well as name, and at first seemed a silly thing to call a big, tall, heavy woman in her late fifties, imposing of carriage and almost as taciturn as the villagers. But her reserve proved to be a deep well of congeniality and tact, to be called upon as needed, and her name soon began to sound quite right. She had family – all Hainish have family – kinfolk of all denominations, grandchildren and cross-cousins, affines and cosines, scattered all over the Ekumen, but no relatives in this crew. She asked to be Grandmother to Rig, Asten, and Betton, and was accepted.

The onlu Shoby older than Sweet Today was the Terran Lidi, who was seventy-two EYs and not interested in grandmothering. Lidi had been navigating for fifty years, and there was nothing she didn’t know about NAFAL, ships, although occasionally she forgot that their ship was the Shoby and called it the Soso or the Alterra. And there were things she didn’t know, none of them knew, about the Shoby.

They talked, as human beings do, about what they didn’t know.

(Excerpt from The Year’s Best Science Fiction, eighth annual collection, edited by Gardner Dozois, 2008)

A Braver Thing

A Braver Thing

By Charles Sheffield

What did I do?

I think it is obvious.

Arthur`s work had always been marred by obscurity. Or rather to be fair to him, in his mind the important thing was that he understand an idea, not that he be required to explain to someone of lesser ability.

It took months of effort on my part to convert Arthur’s awkward notation and sketchy proofs to a form that could withstand rigorous scrutiny. At that point the work felt like my own; the re-creation of his half-stated thoughts was often indistinguishable from painful invention.

Finally I was ready to publish. Bu that time Arthur’s ledgers had been, true to my promise, long-since destroyed, for whatever else happened in the world I did not want Marion Shaw to see those notebooks or suspect anything of their contents.

I published. I could have submitted the work as the posthumous papers of Arthur Sandford Shaw… except that someone would certainly have asked to see the original material.

I published. I could have assigned joint authorship, as Shaw and Turnbull… except that Arthur had never presented a line on the subject, and the historians would have proved and probed to learn what his contribution had been.

A braver thing. Photo by Elena

I published – as Giles Turnbull. Three papers expounded what the world now knows as the Turnbull Concession Theory. Arthur Shaw was not mentioned. It is not easy to justify that, even to myself. I clung to one thought: Arthur had wanted his ideas suppressed, but that was a consequence of his own state of mind. It was surely better to give the ideas to the world, and risk their abuse in human hands. That, I said to myself, was the braver thing.

I published. And because there were already eight earlier papers of mine in the literature, exploring the same problem, acceptance of the new theory was quick, and my role in it was never in doubt.

On almost never. In the past four years, at scattered meetings around the world, I have seen in perhaps half a dozen glances the cloaked hint of a question. The world of physics holds a handful of living giants. They see each other clearly, towering above the rest of us, and when someone whom they have assessed as one of the pygmies shoots up to stand tall, not at their height but even well above them, there is at least a suspicion…

There is a braver thing…

(Excerpt from The Year’s Best Science Fiction, eighth annual collection, edited by Gardner Dozois, 2008)

We See Things Differently

We See Things Differently

By Bruce Sterling

We rolled down gloomy streets toward the hotel. Miami’s streetlights were subsidized by commercial enterprises. It was another way of, as they say, shrugging the burden of essential services from the exhausted backs of the taxpayers. And onto the far sturdier shoulders of peddlers of aspirin, sticky sweetened drinks, and cosmetics. Their billboards gleamed bluely under harsh lights encased in bulletproof glass. It reminded me so strongly of Soviet agitprop that I had a sudden jarring sense of displacement, as if I were being sold Lenin and Engels and Marx in the handy jumbo size.

The cabbie, wondering perhaps about his tip, offered to exchange dollars for riyals at black-market rates. I declined politely, having already done this in Cairo. The lining of my coat was stuffed with crisp Reagan $1,000 bills. I also had several hundred in pocket change, and an extensive credit line at the Islamic Bank of Jerusalem. I foresaw no difficulties.

Outside the hotel, I gave the ancient driver a pair of fifties. Another very old man, of Hispanic descent, took my bags on a trolley. I registered under the gaze of a very old woman. Like all American women, she was dressed in a way intended to provoke lust. In the young, this technique works admirably, as proved by America’s unhappy history of sexually transmitted plague. In the very old, it provokes only sad disgust.

Phantom of Miami. Illustration by Megan Jorgensen (Elena)

I smiled on the horrible old woman and paid in advance.

I was rewarded by a double-handful of glossy brochures promoting local casinos, strip-joints, and bars.

The room was adequate. This had once been a fine hotel. The air-conditioning was quiet and both hot and cold water worked well. A wide flat screen covering most of one wall offered dozens of channels of television.

My wristwatch buzzed quietly, its programmed dial indication the direction of Mecca. I took the rug from my luggage and spread it before the window.

I cleansed my face, my hands, my feet. Then I knelt before the darkening chaos of Miami, many stories below. I assumed the eight positions, bowing carefully, sinking with gratitude into deep meditation. I forced away the stress of jet-lag, the innate tension and fear of a Believer among enemies.

Prayer completed, I changed my clothing, putting aside my dark Western business suit. I assumed denim jeans, a long-sleeved shirt, and photographer’s vest. I slipped my press card, my passport, my health cards into the vest’s zippered pockets, and draped the cameras around myself. I then returned to the lobby downstairs, to await the arrival of the American rock star.

(Excerpt from The Year’s Best Science Fiction, eighth annual collection, edited by Gardner Dozois, 2008)

And the Angels Sing

And the Angels Sing

By Kate Wilhelm

He thought of victims of hypothermia; the first step, he had read, was to get their temperature back up to normal, any way possible. Hot water bottle? He didn’t own one. Hot bath? He stood over the girl and shook his head slightly. Water might be toxic to her. And that was the problem; she was an alien with unknown needs, unknown dangers. And she was freezing.

With reluctance he touched her arm, still cold in spite of all the covering over her. Like a hothouse plant, he thought then, brought into a frigid climate, destined to die of cold. Moving slowly, with even greater reluctance than before, he began to pull off his trousers, his shirt, and when he was down to undershirt and shorts, he gently shifted the sleeping girl and lay down beside her, drew her to the warmth of his body.

The house temperature by then was close to eighty-five, much too warm for a man with all the fat that Eddie had on his body; she felt good next to him, cooling, even soothing. For a time she made no response to his presence, but gradually her shivering lessened, and she seemed to change subtly, lose her rigidity; her legs curved to make contact with her legs, her torso shifted, relaxed, flowed into the shape of his body’ one of her arms moved over his chest, her hand at his shoulder, her other arm bent and fitted itself against him. Her cool cheek pressed against the pillows of flesh over his ribs. Carefully he wrapped his arms about her and drew her closer. 

And the Angels sing. Illustration: Megan Jorgensen (Elena)

He dozed, came awake with a start, dozed again. At nine he woke up completely and began to disengage himself. She made a soft sound, like a child in protest, and he stroked her arm and whispered nonsense. At last he was untangled from her arms and legs and stood up and pulled on his clothes again. The next time he looked at the girl, her eyes were open, and he felt entranced momentarily. Large, round, golden eyes, like pools of molten gold, unblinking, inhuman. He took a step away from her.

“Can you talk?”

There was no response. Her eyes closed again and she drew the covers high up onto her face, buried her head in them.

(Excerpt from The Year’s Best Science Fiction, eighth annual collection, edited by Gardner Dozois, 2008)

Past Magic

Past Magic

By Ian R. MacLeod

The clinic where they remade Steph from thawed scrapings of her skin lay up on the hill overlooking Douglas and the big yachts in the harbour. Claire took me along when it was time for Steph’s deep therapy. There were many places like this on the island, making special things for those parts of the world that had managed to stay apart from all the bad that had happened. New plants, new animals, new people. Little brains like the one inside the vox. Tanned pinstripe people wafted by on the grey carpets. I was disappointed. I only saw one white coat the whole time I was there.

They took Steph away, then they showed me her through thick glass, stretched out in white like a shroud with little wires trailing from her head. The doctor standing beside me put his arm around my shoulder and led me to his office. He sat me down across from his desk. Just an informal chat, he said, giving me an island smile.

His office window had a fine view across Douglas. I noticed that all the big yachts were in. A storm was predicted, not that there was any certain way to tell the weather. The thought made me remember my dream, being on the boat with Steph. She opened her mouth. And everything flooded back and back to when they finally hauled us out of the water, the chopper, flattening the tops of the waves, the rope digging into her white skin, the way a stripe of weed had stuck across her face.

The doctor tapped a pencil. “We all feel,” he said, “that your input is vital if Steph is to recover her full identity. We’ve done a lot with deep therapy. She can walk, talk, even swim. And we’ve done our best to give her memories.

“Can you invent memories?”

There was darkness on the horizon. Flags flew. Fences rattled. The sea shivered ripples.

Past Magic. Photo by ElenaB.

“We all invent memories,” he said. “Didn’t you write fiction? You should know that memories and the past are quite different propositions.”

“What do you want me to do?”

“Just be around, Tony. She’ll soon get to like you.”

“This little girl looks like someone who used to be my daughter. And you are asking me to behave like a friend of the family.”

(Excerpt from The Year’s Best Science Fiction, eighth annual collection, edited by Gardner Dozois, 2008)